We’ve been working hard to come up with a package in response to your last proposal. But we keep running up against the DVD issue. The companies believe that movement is possible on other issues, but they cannot make any movement when confronted with your continuing efforts to increase the DVD formula, including the formula for electronic sell-through.
The magnitude of that proposal alone is blocking us from making any further progress. We cannot move further as long as that issue remains on the table. In short, the DVD issue is a complete roadblock to any further progress.
This morning we presented the AMPTP with a comprehensive package of proposals that included movement on DVDs, new media, and jurisdictional issues. We also took nine proposals off the table. The Companies returned six hours later and said they would not respond to our package until we capitulated to their Internet demand.
After three and a half months of bargaining, the AMPTP still has not responded to a single one of our important proposals. Every issue that matters to writers, including Internet reuse, original writing for new media, DVDs, and jurisdiction, has been ignored. This is completely unacceptable.
I just received this email from a top WGA source: "There's a campaign of fear and lies being waged by several top agencies today, telling TV writing clients that if they're co-producer or above, they are a hyphenate and have to report to work during a strike. This is false. Evidently, instead of pleading with the companies to make a reasonable deal, some agents have resorted to attempting to scare their clients out of complying with the strike rules. It's really fucked.
Bear in mind, that most TV writers who have producer titles often perform very little actual producing, if any. The titles are mostly in place to indicate the writing staff hierachy. We're not talking about showrunners here -- mid-level writers are getting this call. One top agency has told co-producers and above that their jobs may not be waiting for them after a strike if they don't report to work. Another big agency has told clients they can do punch-up on screenplays during the strike if that screenplay has been submitted to the Producers prior.
Writers need to know to call the Guild if they have questions about what services they can perform and NOT rely on self-serving agents for that information."
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